Summer.from "Everybody"
(vosotros)
Summer.
First, I'm going to tip my hat in respect to a cool place to find chilled out beats: Properly Chilled! To the folks over there, I thank them for helping me out for a school project and in return I'll place a link to send all of you over to the wonderful confines of their home on the interlubes. I have found a few tidbits (such as Mr. Chop - fun, funky 70s trip hop) from their vast musical resources which have tickled my fance and encourage you to visit their URL.
This leads me to another website that I found with thanks to P.C. That site is below zero beats. Below Zero is a downtempo/chillout show sent out over the airwaves every Sunday on Energy 92.7 out of San Francisco. As Mason Rothert reminds you every week, he's gonna "take you there!" They have streaming audio of that weeks show, courtesy of Live365, and a link to download their podcast from the friendly folks of Netmusique. 3. Hayling - FC Kahuna: I know some of you are probably chuckling at me for speaking about how repetition and techno do not go together... well, in the previous review I'm speaking about one song.
The point (IMHO) of techno is simplicity and repetition!!! Hayling, from FC Kahuna, is an example of great use of "theme and variation" in techno music; especially downtempo/chillout/trip-hop. Let me head off into Tangentland (TM) for a few about how I feel repetition is wonderful in techno! Caveat: this isn't based off of anyone else's recollections, scholarly intrigue, or from something logical. This is just me merely bloviating about a topic, and hopefully I'll salvage some sort of credibility while doing so. When I think of great repetition in techno, the first couple of songs that pop into my head are "Sandstorm" by Darude and "Revenge of the Black Regent" by Add N to X. Here, both examples take a basic melody that makes you move, i.e. like the plot of a good book. Then they build on it, make it viable, and call it their own. Add in some catchy keyboards, wonderful vocals, or even some snappy breaks (another great trip-hop example of this would HAVE to be Wax Taylor (see "To Dry Up," "Our Dance")), and Frankenstein's baby boy is born! The melody is life to the song. The add-ons are the experiences. The choruses, lyrics, etc, make it all the more fulfilling. I love repetition. I even like Lily Cushman's song, but I have to be in the mood for it.
Okay, back to the task at hand. The lyrics to this song are so simple, yet so penetrating.
Don't think about all those things you
fear. Just be glad to be here.
So simple, and yet almost misplaced. Definitely words for a motivational poster, I'd say! The melody makes a few subtle changes, yet stays true to form. All in all, a great pick from the Pandora box!
h/t: auralgasms for the lyrics.
Rating: 4.5 out of 5